One of Israel's leading musicians, pianist Dr. Ron Regev serves as the chairman of the piano department at the Jerusalem Academy of Music and Dance, and was a staff pianist at the Steans Music Institute of the Ravinia Festival in Chicago. Dr. Regev, an avid chamber musician and recitalist, has performed Beethoven’s 32 piano sonatas in lecture-recitals; his latest concert seasons included, among recitals and chamber music concerts with leading Israeli and international musicians, solo performances with the Jerusalem Symphony Orchestra.
Dr. Regev coaches chamber music groups for the Jerusalem Music Center, and adjudicates local and international auditions and competitions. His students have won Israel's leading competitions. Dr. Regev is also active as a consultant to music technology companies, and is the programmer of an advanced iPad sheet music app, from which he performs.
Mr. Regev is a prizewinner of numerous competitions, including the Tenth Rubinstein International Piano Master Competition, the American Scholarship Association Piano Competition in Cincinnati, the Bruce Hungerford Award in New York, the First Tbilisi Piano Competition in Georgia and others. He was a Fulbright grant recipient for his studies in the United States.
Mr. Regev's most recent appearances with orchestra include: the Chicago Symphony Orchestra at the Ravinia Festival; the Juilliard Symphony in Alice Tully Hall, Lincoln Center; the Armenian National Philharmonic Orchestra; the Jerusalem Symphony Orchestra; the Israel Jerusalem Camerata Orchestra; the Cheyenne Symphony Orchestra in Wyoming; the Dubuque Symphony in Iowa; and the Israel Symphony Orchestra Rishon LeZion. His music festival appearances include the Ravinia Festival, the Salzburg Festival, the Aspen Music Festival, and the PRO Festival held in Germany. Mr. Regev's performances in Israel and abroad are frequently broadcast on national radio.
A student of Professor Emanuel Krasovsky, Mr. Regev completed his Bachelor of Music degree at the Samuel Rubin Israeli Academy of Music (Tel Aviv University) summa cum laude. He continued his studies at the Juilliard School in New York, where he received his Master of Music and Doctor of Musical Arts degrees, studying piano with Mr. Jerome Lowenthal and chamber music with Mr. Joseph Kalichstein, as well as serving as full faculty member. Mr. Regev's doctoral document, titled "Mendelssohn's Trio opus 49: A Study of the Composer's Change of Mind," won Juilliard's centennial year's Richard F. French Doctoral Prize for outstanding work on a doctoral document, was the basis for a lecture and a recital at the Library of Congress, and was used in the making of a celebrated 2024 recording of Mendelssohn's trios by Joshua Bell, Steven Isserlis and Jeremy Denk.
Mr. Regev has performed concerti with major orchestras to critical acclaim, at times mastering new works within days.
Beethoven: Piano Concerto no. 2
Mozart: Piano Concerto no. 16
An avid recitalist, Mr. Regev's vast and varied solo repertoire ranges from classical masterpieces such as Beethoven's Hammerklavier sonata to light-weight showpieces. Being committed to furthering the audience's interaction with the music and the artist, Mr. Regev regularly gives pre-concert lectures, lecture-recitals and masterclasses.
Beethoven: Moonlight Sonata
Schubert: Wanderer Fantasy
An active and award-winning chamber musician, Mr. Regev has performed in prominent venues such as Alice Tully Hall and Weill Recital Hall. He participated in the Ravinia, Aspen and Salzburg festivals, and his repertoire spans most of the mainstream duo-sonatas, trios, quartets and quintets, as well as many contemporary works.
Mendelssohn: Scherzo from Trio op. 49
Frank Huang, violin Alisa Weilerstein, cello
Schumann: Piano Quintet
the Amernet Quartet
"When Ron Regev strides onto the stage to talk about the Beethoven piano sonatas he is about to play, the audience is immediately captivated by his youthful bearing, informal way of talking and encyclopaedic knowledge of his subject. Setting the topic in its musical, historical and philosophical context, he provides us with additional understanding and appreciation of the music we are about to hear.
"...we are once again entranced and fascinated by Dr. Regev’s charm and talent. In fact, he is something of a phenomenon...
"...Needless to say, all the works he plays are infinitely complex, requiring... dexterity, concentration and musicality... this he achieves with what appears to be great ease.
"...And so, once again, an evening that combined an uplifting musical experience with enlightenment that was neither condescending nor trivializing came to a satisfying end with an impassioned performance of Beethoven’s sonata no. 23, popularly known as the Appassionata Sonata, whose ending with a bravura cascade of chords simply took our breath away."
(Dorothea Shefer-Vanson, The Jerusalem Post, March 28, 2018)
"The exceptional Ron Regev carefully maintains non-agressive pianism and great clarity. The great mystery of the first and third movements is expressed fully, the Sicilienne is light and delightful, and even the 'constant forte' feeling of the last movement is replaced by logical build-up to a climax. All this gives the necessary breath to the quartet and to the solo violin. I can finally say, at least for the Chausson: the Haydn Quartet, with the added soloists, presented a unified, even amazing sound."
(Tav-Et Online Music Journal, May 8, 2012)
"...their music-making, which is almost always superb, and occasionally no less than stellar. The two live and unedited performances above belong to the latter category... ...I was even more impressed by Ron Regev's handling of the piano part. His playing combines a warm, golden tone with tremendous authority of phrasing and unimpeachable technical security - the effect of which I find irresistible. (I have several other chamber music recordings with Regev in which his playing is just as impressive.)"
(Boom's Dungeon Blog, May 10, 2011 - on performances at the Ravinia Festival)
"He made a fine appearance at the
keyboard and played with impressive certitude, flying freely through the
arpeggios and digging robustly into the melodies. Several times his playing
coalesced so elegantly with the sound of the orchestra that they were as one.
"Ravinia must be applauded for having so strong a bench. To be able to snatch
two such able pinch hitters from the Steans Institute on a moment's notice is
impressive.
"...we heard two high-quality performances of two beautiful concertos. These
fine pianists deserve a chance to return and play a concerto that they have had
time to prepare properly. There's no doubt they can do the job."
(Dorothy Andries, Chicago Sun-Times, IL, July
25, 2006 - on a performance with the Chicago Symphony Orchestra)
"Of course, Mendelssohn had excellent reasons for his revisions, including the addition of the deeply expressive middle section; but there are a few touches in the original version that have a delightful freshness to them — which is why we decided to include it as an extra track on this disc. Here I would like to offer thanks to the Israeli pianist Ron Regev, whose fascinating article about the two versions and painstaking transcription of the original made this possible. " (Quote of Steven Isserlis in a review by Andrew Palmer in the Yorkshire Times, November 16, 2024)
"...an excellent pianist...
incisive, caring pianism..."
(The Courier-Journal, Louisville, KY, March 10, 2003)
"...exquisitely shaped phrases... electric playing... exuberant reading... colorful... a player's dream..."
(Elaine Schmidt, The Milwaukee Journal Sentinel, Milwaukee, WI, March 9, 2003)
"...rare pianistic performance..."
(Süddeutsche Zeitung)
"...broad foundation, considerable knowledge and technique. Complete mastery..."
(Münchenen Merkur)
"All the secrets of the piano and of chamber music are known to him, as he is as
attentive to his peers as he is to the composer... Those who were absent missed
a great experience."
(Ma'ariv, Israel)
"...attentive, sensitive... clarity and a finely developed aesthetic sense.
"Ron Regev performed Mozart's C minor Piano Concerto in a well-polished,
sensitive and smooth rendition... The slow movement was played with captivating
lyricism."
(The Jerusalem Post)
"...his mastery enables him to show true artistry."
(Ha'aretz, Israel)
Ron Regev is the creator of Score Wizard - a sophisticated and intuitive sheet music viewing app for the iPad, that does automatically things that fall under the "I wish my score could..." category. If you're on your iPad right now, you can get the app here.
"It is nearly 15 years after the first iPad was introduced, and no one has yet created an app that truly leverages all this great device has to offer to performing musicians. Existing apps are either glorified PDF viewers (some of which are really good, mind you) or educational tools. This being the case, I have been spending the past few years teaching myself programming and basic algorithm design, aspiring to create an app that would satisfy my own needs. However, I feel that my little experiment may have arrived at the point of being able to help others as well.
Score Wizard is the results of these efforts:
The app gathers absolutely no private information and sends no nothing back to me."
Learn more, discuss the app and ask questions on its Facebook page.